Tranceport is a DJ mix album released by Paul Oakenfold in 1998. It was released on Kinetic Records. Paul Oakenfold Tranceport Rar Anatol Basarab Numerologia In Viata Fiecaruia Pdf Printer Dalvik Debug Monitor Service Zoc? Ssh/telnet Client For Mac Sony Vaio Pcg 7q1n Drivers Spellbinding mythical short stories. Write something about yourself.
View credits, reviews, tracks and shop for the 1998 CD release of 'Tranceport' on Discogs. Paul Oakenfold - Radio 1 Essential Mix by Paul Oakenfold published on 2012-09-28T10:02:59Z Since being the first ever guest DJ to record an Essential Mix for BBC Radio 1, Paul Oakenfold has gone on to record a further 35 EMs.
Since being the first ever guest DJ to record an Essential Mix for BBC Radio 1, Paul Oakenfold has gone on to record a further 35 EMs. This archive will enable Paul Oakenfold fans new and old to listen to these legendary mixes in their entirety on demand. 01. Latin Rascals - Big Apple Production Vol. II (Genius At Work) 02. Roc & Kato - Jungle Kisses (Club Kisses Mix) 03. Darryl James/David Anthony Project Featuring Fay Victor - Where Do We Go? (Teejay's Dub) (re-edit) 04. Reel 2 Real Featuring The Mad Stuntman - I Like To Move It (Reel 2 Real Dub) 05. DJ Duke - Blow Your Whistle (NY House Mix) 06. Soul II Soul - Back To Life (Vocal Dub) 07. River Ocean Featuring India - Love & Happiness (Yemaya Y Ochũn) (Unknown Mix) 08. Björk - Violently Happy (12' Mix) 09. U2 - Daddy's Gonna Pay For Your Crashed Car (Perfecto Mix) 10. The Clash - The Magnificent Dance (Dirty Harry Full Radio Mix) 11. ID 12. U2 - Lemon (Perfecto Mix) 13. Petra & Co. - Just Let Go (Dub Mix) 14. Global Groove - Body Baby (San Fran Mix) 15. Black Moves - Old Music (Tribal) (re-edit) 16. The Carl Cox Concept - The Planet Of Love (Red Jerry Vocal Mix) 17. Kick Up - I Do It Naturally (Expanded Mix) 18. CYB - Now (Play Mix) 19. Quivver - Saxy Lady (Part 1) 20. The Overlords - Wow! Mr. Yogi (Control The Mind) (F.A.M. TrancePort Mix) 21. Vinyl Blair - The Trancespotter (Turbo Nation Trance Groove) 22. The Shamen - Possible Worlds (Imaginary) 23. Eternal - Save Our Love (West End D'Rhythm Mix) 24. Probe - Hulabaloo 25. Genetic - Transmission (Original Version) 26. Slam - Positive Education (Original Mix) 27. Rise - The Single (Perfecto Trance Mix) 28. Vernon - Vernon's Wonderland (Original Mix)
- Genre
- Electronic
Comment by seanymc73
remember hearing the lemon remix the first time and it absolutely blue me away and it still does 27yrs later.!!💯👊🎵🎵🎵🎵❤
Comment by OSF42
Tune
Comment by RR-XV
Classic!
Comment by afbase
This is some remix of Johnny hammond - los conquistadores chocolates or just sped up faster. I am not 100% sure @40:22
Comment by Ouden
And here it went!!!
Comment by ALY
One of the Best Ever Intro's to an Essential Mix p!!! No messing around!!!!
Comment by Oakenfold Mixes
Listen to more Paul Oakenfold at www.oakenfoldmixes.com
Comment by dulerrb
love this track!
Comment by TranceRussia
Ohhh.. Yeah!!!
Comment by tunsky
CD's skipping?
Comment by Leonar Zamo Cor
beybe
Paul Oakenfold Wikipedia
Comment by digiskunk
groovy, baby, groovy.
Comment by bobgeovanni
aaaaaaaaaaaaaaaaaaaaaaand I'm back in the 90s
Comment by Stephen Gray 20
Tunnnnnne !!!!!!!!! Magic !!!! Bring it on
Comment by Anderson King73
ooooh yeah!
Comment by Gerard Sexton
Lash em on.. Can't believe ive never heard this.. Tuuune!!
Comment by flash wilson
very nice
Comment by Marc Da Func
niiice wish u wud of put it up for download
Comment by pkugan03
LEGEND !
Comment by Samantha Hill
oh yes! this is that stuff that had me fall in love with edm. i was like 11
Comment by davidbrighouse
The best....
Comment by Ken O'connell
wows
Comment by SLICKHOUSEVIC
Nice Mix!!! SHV
Comment by Master Dj Zed(Old profile)
check this U2 Bsides Mix http://www.mixcloud.com/masterdeejzed/u2-besides-mix
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-549652-1444164491-1819.jpeg.jpg "Download")
Comment by Master Dj Zed(Old profile)
Ps3 eye driver. Daddy is gonna pay for your crash car.bside of Discoteque Rmx vinyl.
Paul Oakenfold Transport Raritan
Comment by jackgibson
classic
Comment by NathanLivingston1995
I love the 90s
Comment by Zeraj Retalso
wicked vibes mate
Comment by Fuerte Musik
wow those tune, Paul :) really bringin' back the old skool ;)
Comment by user7424088
vinyl blair: trancespotter
November 29, 1998
New Invader on the Dance Floor
By SIMON REYNOLDS
he Esperanto of electronic dance music, trance is probably the most popular rave sound in the world. Although this kinetic, hypnotic music has maintained a presence on the American rave scene since the style emerged in the mid-90's, trance seems to be rising to a new level of prominence in this country.Where early trance was generally harsh, minimal and coldly cosmic, more recent strains of the genre emphasize melody, recognizably human emotions and a warmly devotional aura. All this makes trance a populist, accessible alternative to the experimental abstraction of hip rave styles like techno and drum-and-bass. In particular, trance's dewey-eyed sentimentalism seems to be attracting younger American ravers who are still in the honeymoon phase of using Ecstasy, an illicit drug that many users believe heightens feelings of tenderness and empathy.
Encouraged by the expanding American audience for trance, Paul Oakenfold, Britain's leading mainstream trance DJ, has launched an offensive on these shores, with regular club tours and the major-label release of his CD 'Tranceport.' The German trance pioneer Paul Van Dyk also released not one but two albums in America this fall. And there's a growing following for the fiercer underground style known as psychedelic trance, with a flurry of parties in New York and the start of an American offshoot by the English label Blue Room Released.
Trance's roots lie in the pulsating metronomic rhythms of Eurodisco, a sound pioneered by the Munich-based producer Giorgio Moroder in 1977 and popularized by his protege Donna Summer. But trance really emerged as a distinct subgenre of rave music in Berlin and Frankfurt around 1993. Some aficionados identify 'Visions of Shiva,' a 1992 collaboration between Van Dyk and the producer Cosmic Baby, as the first trance tune. Another seminal track was the group Hardfloor's 'Hardtrance Acperience' (1992), which resurrected the classic Roland 303 bass synthesiser sound of the late 80's genre called acid house. With its squeaky timbre and snaking patterns, the 303 remains a trance staple, driving dancers into a Dionysian frenzy.
Recently voted the world's No. 1 DJ in an industry poll conducted by the English dance magazine DJ, Oakenfold is famous for his role in kickstarting Britain's rave movement with his 1988 acid house club, Spectrum. Having dominated British club culture for a decade, Oakenfold is now directing his energy toward America. For the next two years, he plans to play at least 50 DJ dates a year in America. On the recording front, 'Tranceport,' a collection of trance tracks by various artists mixed and blended by Oakenfold, has just been released by the Reprise subsidiary Kinetic, alongside the group Binary Finary's single, '1998,' the year's biggest trance anthem. 'Tranceport' features Van Dyk's remix of '1998.' Van Dyk's two albums, '45 Rpm' (1994) and 'Seven Ways' (1996), sold so well as imports that they have recently been released domestically by Novamute; his new album, 'Avenue of Stars,' will follow next May.
Despite its crowd-pleasing power, trance tends to be despised by dance cognoscenti, who prefer more avant-garde styles like techno (a synthesizer- and drum-based instrumental music) and jungle (a hyperkinetic hybrid of hip-hop and reggae). These hipsters regard overt melody and explicit emotion (both of which trance features in abundance) as 'cheesy' -- that is to say, too close to normal pop music. In contrast, Van Dyk talks of trying 'to create little songs, not just rhythm tracks' and stresses the importance of expressing feelings through music. Where techno and jungle producers use terminology from astrophysics or biogenetics in the titles of their tracks, Van Dyk's most famous anthem, 'For an Angel,' was inspired by meeting his girlfriend. Trance's melodramatic expressiveness often makes it verge on being a computer-era update of 19th-century symphonic music. In a similar quest for harmoniousness, Oakenfold doesn't simply synchronize tracks by tempo but combines them according to musical key, arrangement and dynamics.
Trance comes in several subgenres. As well as the lushly textured, lovey-dovey end of the spectrum represented by Oakenfold and Van Dyk, there's also a more bombastic strain of trance pioneered by labels like Noom along with a ferocious variant known as filthy acid techno that's popular in Britain's underground network of illegal raves in abandoned buildings. But the most significant subgenre is psychedelic trance. Where Oakenfold and Van Dyk's brand of trance favors wistful, naive melodies, psychedelic trance features ornate riffs and mandala-swirly patterns, plus an array of sonic effects that mimic LSD-induced sensations like synesthesia and quicksilver light-trails. The sound is rising in popularity on both the East and West Coasts of America. In New York, promoters like Tsunami and In-Trance-It hold parties with increasing regularity. Vain, a downtown club, holds a weekly psychedelic night, and House of Trance, a record store in the Village, is devoted to the genre.
Psychedelic trance was originally associated with Goa in South West India, the drug-and-dance paradise that lures raver tourists from across the world. By 1996, clubs had sprung up throughout Europe offering a surrogate version of the Goa experience. In September 1996, the promoter John Emmanuel Gartmann held America's first psychedelic trance rave, Return to the Source -- a now legendary party at the Liberty Science Center in Jersey City. These days Gartmann's company, Tsunami, holds a psychedelic party every second Friday at Vinyl, a club in TriBeCa.
In the beginning, Tsunami events drew a crowd that was 80 percent European expatriates, members of what Gartmann calls 'the international traveling set' -- nomads who spend the winter party season going to raves in India and Thailand. For a long time, the only Americans at Tsunami parties, it seemed, were students from Harvard, Princeton and Yale. 'My only explanation is that maybe they'd traveled a lot during their vacations,' Gartmann said. Now Tsunami parties consist of 60 percent American ravers, who are turning on, tuning in and dropping in on the psychedelic scene because of its euphoric energy.
Psychedelic trance parties simulate the Goa experience as closely as possible. In India, parties on the beach or in the jungle run from sunset to dawn, whereupon dancers pick up flutes and conches to invoke the sun. In this spirit, Tsunami raves are structured so that the music progresses from 'night music' (hard and sinister) through spiritually uplifting 'sunrise music' to the sheer elation of 'morning music.'
The fashion and decor that accompany psychedelic trance also originated in India. 'We like to get dressed up for the festival,' said Gartmann. 'Women get adorned. They look like goddesses. It's a celebration, an honoring, infused with the spiritual energy of India.' Dancers wear fluorescent-patterned clothes that glow under ultraviolet light, T-shirts decorated with fractal-like patterns and sweat pants made of paisley and tie-dyed fabric. Some women adopt a beach bum look (white halter-tops, hair swept away from the face using white plastic sunglasses), accessorized with luminous nose rings, bracelets and bindis. Fluorescent face-paint and hair dye are also popular. For men, a common look is the unshaven backpacker style. At Tsunami's parties, the walls and ceilings are covered with gaudy streamers, papier-mache sculptures of magic mushrooms, butterfly mobiles and retina-scorching mandala tapestries.
As might be expected from the name, the psychedelic trance scene is surrounded by neo-hippy rhetoric, a syncretic mish-mash of mystical notions drawn from Buddhism, Hinduism and other non-Western religions. As such, it resonates with the vogue for Eastern spirituality in late-90's pop culture, from the Beasties Boys' devotion to Tibetan Buddhism to Madonna's flirtation with the kabbalah and yoga. Coincidentally, Madonna's latest album, 'Ray of Light,' is steeped in the influence of the poppier end of trance, courtesy of its producer, William Orbit.
Eddie Bang, who works at the New York techno store Satellite, says that for psychedelic trance fans the music itself is like a religion. 'They're tribally devoted to the scene,' he said. In many respects, they are like Deadheads, another movement of mostly white, middle-class youths drawn to gaudy neo-hippy clothing, trance-dancing and tripping on hallucinogens like LSD and Ecstasy.
SPIRITUAL vibes and loud colors aside, what makes the psychedelic scene so attractive to its devotees is the joyous frenzy of the crowd, which bounces and flails with a fervor rarely seen on New York dance floors. And although the music is generally held in critical disdain, psychedelic trance can be exhilirating. Performing live at Tsunami's recent Totally Twisted rave, the British producer Hallucinogen transported the dancers into a sonic maelstrom of phosphorescent filigree. Where many trance artists are minimalists, Hallucinogen is a maximalist. His tracks are continually morphing; every couple of bars, a new arpeggiated riff comes writhing out of the amazingly intricate mix.
Because of its Teutonic roots, trance is sometimes criticized as an unfunky form of dance music. In trance, creativity does operate largely on the level of melody and layering of texture rather than rhythm (the usual province of dance music). But adventurous producers like Hallucinogen are expanding trance's rhythmic palette of clockwork beats and chugging bass lines by weaving in dub reggae-style echo effects and speeded-up hip-hop beats. From the growing sophistication of the music to the irresistible energy it catalyzes on the dance floor, psychedelic trance is ready to explode into wider popular consciousness.