Plautus Summary

Gesine Manuwald (University College London)

As in both the plays of Aristophanes and Menander, the roman playwright Plautus addresses the issues of class consciousness and status in his works. Plautus particularly addresses the influence that class and status had on ancient Roman society and thinking. This is clear throughout his play, Pseudolus, in which each of the characters are developed based on their class and status. Pseudolus, by Roman playwright Titus Maccius Plautus, was written in 191 BCE. Like other Roman plays, Pseudolus would have been performed in temporary theaters during religious festivals. Though Plautus himself was not born in Rome—little is known about him, but it is thought he was born in the northern Italian town of Sarsina—his plays were remarkably popular. The Braggart Soldierby PlautusTHE LITERARY WORK A Roman adaptation of a Greek comedy (called Alazon) written and set in Ephesus around 287 bce; adapted into Latin (as Miles Gloriosus) and first performed around 206 bce.SYNOPSIS A young man from Athens relies on his clever slave to steal back the girlfriend who was kidnapped from him by an outrageously conceited soldier-for-hire.Events in.

Plautus runs away and tries to get in with Americans or Soviets, who are engaged in a race to get a man on the moon. After Plautus spends some time with the playwright Tom Stoppard, a friend of his takes Plautus to the Soviet scientist Dr. Plautus watches for years as they send dogs into space until finally, it’s her turn. Plautus, great Roman comic dramatist, whose works, loosely adapted from Greek plays, established a truly Roman drama in the Latin language. Little is known for certain about the life and personality of Plautus, who ranks with Terence as one of the two great Roman comic dramatists.

  • Ed. by William John Dominik, University of Otago
  • The Literary Encyclopedia. Volume 1.1.2: Ancient Roman Writing and Culture (Republic and Empire), -750-476.
  • Vol. editors: William John Dominik (University of Otago), Thomas Habinek (University of Southern California), Emily Kneebone (University of Nottingham), Sophia Papaioannou (National and Kapodistrian University of Athens), Jula Wildberger (The American University of Paris)

Context

Plautus’ comedy Persa (‘The Persian’or ‘The Iran man’) is named after the disguise that one ofthe characters adopts as part of an intrigue. For, as in the caseof other plays in the format of (originally Greek) New Comedy, theplot is based on a clever trick in order to obtain money. However,what is unusual about Persa is that almostall dramatis personae are slaves. When one ofthe slaves comes on stage at the beginning of the play, he talksabout a lover in need (1); it soon becomes clear that this refersto the speaker himself. When he explains his situation to a fellowslave in the course of the first scene, the latter wonders …

Citation: Manuwald, Gesine. 'Persa'. The Literary Encyclopedia. First published 04 December 2012 [https://www.litencyc.com/php/sworks.php?rec=true&UID=34722, accessed 22 May 2021.]

Summary34722Persa

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3Historical context notes are intended to give basic and preliminary information on a topic. In some cases they will be expanded into longer entries as the Literary Encyclopedia evolves.

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